From a random encounter on a Berlin street, a wedding party moving from one place to another, and quite by chance giving me some of my favourite wedding images:
Here’s a single black and whites conversion to try to sum up one of the things I enjoy most about photographing a wedding. It’s all too easy to follow the bride and groom around and photograph them either on their own or interacting with the guests, and there are some fine pictures to be found that way. But there is a risk of capturing some of the best moments happening elsewhere.
It’s a picture with two elements – guests taking photographs of the bride and groom, and an older child trying to keep a younger one under control. It’s relatively mundane – but often these moments go completely undocumented, which would be a pity.
From a Suffolk coastal wedding last year, a captured moment during the wedding service. Quite tricky lighting and difficult to get everything just right with the camera, but I would rather risk a less than technically perfect shot to catch the right moment, with the bride just about to wipe away a tear.
I was pleased to be invited by the Thorpeness Hotel and Country Club, where I photographed a wedding in November, to submit a few images from the day that they might be able to use as part of a forthcoming article featuring the venue in the January 2014 edition of Suffolk Norfolk Life.
The picture that was used- see below – is of an antique suitcase used to display congratulations cards and similar at the reception with the guests in the background enjoying their food and drink. The other two pictures aren’t mine though…the November weather turned out rather dull and grey and not conducive to spending too long out of doors!
The Country Club was a lovely venue, close to the cliff top in Thorpeness, and I was glad to be a part of the bride and groom’s day.
The tables are laid, all ready to go……a scene from a recent country club wedding in Suffolk. Though I’m not overly concerned about capturing the inanimate details of a wedding, preferring to concentrate on people and how they interact, these shots help to present a rounded picture of the occasion and pick up on little things that might otherwise have gone unnoticed.
So for instance here, there isn’t much going on, there’s no-one in the frame, but I liked the linking of the inside and outside spaces (and for anyone familiar with the venue, the buildings in the background might well help to locate it). There is a sense of something about to happen.
I’d like to wish season’s greetings to all – and advance notice that I’ll be publishing a post with my five favourite wedding photography images of 2013 by the end of the month.
From a lovely Suffolk wedding in November – I briefly nipped round from a position on the other side of the groom and here’s a black and white taken from there. I’ll make some more images from this wedding available shortly. I do like black and white and I find that more and more of my photographs look better when presented this way.
I’m still deriving plenty of interest from going through some photographs I took on holiday in Vieste, Italy in October 2013, some of which featured in my blog post of October 20th. Here are a couple of my favourites from a wedding I came across at a delightful small church in the town centre called Chiesa Santa Croce. I frequently prefer a black and white conversion in the case of these Italian people shots – something about the dark suits and sunglasses makes this feel right.
In the first picture I’m standing right inside a group of wedding guests, a couple of whom are looking in my direction, but what I like about this picture is the younger man on the left, whose attention is taken by the woman in sunglasses centre right.
In the second picture we have a group of men standing next to one of the wedding cars. This was taken near to the hotel used for the wedding reception, coincidentally the hotel were staying in. I’d just walked back to the hotel after taking photos of the guests milling around outside the church.
Again, I’ve use black and white here to remove the distractions of colour. The group includes (as I remember) the groom. They’re looking at the car, they’re talking among themselves. There isn’t a great deal going on in this picture, but I like it as a commentary on weddings, Italian style.
Here’s a small selection of photographs of shop frontages taken on a holiday in October in the Puglia region of Italy. I do like the character of the architecture in much of this part of the heel of Italy, and as a wedding photographer I found some of these displays interesting. Essentially they are street photography, but they appealed to me as a subject for a blog post. The first four are in Lecce, the fifth is in Bari and the final one in Matera.